Peggy Olson went to work in a full-skirted, belted dress coat. Review your card benefits.
It was so very important to see the contrast of class in that scene," says Bryant. I use the accordion pleat a lot," she adds. While out at the Los Angeles office, Joan finds passion with a rich divorced real estate developer named Richard who, after an intimate night in L. Joan skipped out on her signature pendant necklace and instead accessorized with statement chandelier earrings and a cocktail ring.
Close View all gallery. Betty Draper was a vision in white when she wore a sequined dress and a fur stole with elaborate costume jewelry and white opera-length gloves.
Joan Harris was ready for work in a fitted tweed pencil skirt and a red draped blouse. Betty Draper bundled up in style with a blue oversize coat, a silk scarf, and leather gloves. Her perfectly styled hair complete with an extra-wide headband finished off her look.
Betty Draper was dressed playfully in a multicolored and elaborately-printed romper for a scene at home. Larger-than-life buttons and a look-at-me belt added to the whimsical feel. Betty Draper worked barely-there eye makeup and a pastel pink lip when she wore a colorful paisley-printed blouse. For an outdoor scene, Peggy Olson wore a pink-and-nude gingham printed dress. Alabaster-hued gloves and a headpiece made the feminine color combo pop. Joan Harris showed her darker side in an all-black ensemble complete with a pearl-embellished cardigan that was effortlessly draped over her shoulders.
Peggy chatted with Kurt on the couch in a floral-printed, midi-length dress. Betty Draper worked an all-white look from head-to-toe while out with Don Draper.
Joan Harris showed off her curves in a black sheath printed with romantic red roses. Elaborate earrings and red nail polish added oomph to her bombshell look. Betty Draper showed off her baby bump in a white lace dress complete a pink embellished sash. Peggy Olson went to work in a full-skirted, belted dress coat. A black headband lent a sweet element to her moody-hued look. Betty Draper looked sweet as can be in a floral printed day dress. A structured handbag, sheer gloves, and cat eye sunnies—all in white—completed her on-the-go style.
Peggy Olson hopped off the subway in a perfectly pleated skirt, a belted over shirt, and a silky printed blouse complete with a neck tie. She topped off her look with a bow-embellished hat.
Betty Draper was dressed femme fatale-style in a strappy black dress. Pearl jewelry and a sleek but over-the-top hair style gave her sexy ensemble a polished look.
Sally Draper was dressed for a snow scene in the most charming embellished and embroidered accessories. A warm coat and scenic-printed sweater were the building blocks to Draper's too-cute look. Joan Harris hit the office in a belted navy blue dress that hugged in all the right places. A scarf-like neckline and her signature pen-style necklace gave Harris' look an edge. Peggy Olson looked impossibly chic in a vintage-style hat, cluster earrings, and a blue overcoat with an exaggerated collar.
Peggy Olson was office-appropriate in a navy blue dress, a single strand of pearls, and stud earrings. Megan Draper arrived dressed to the nines working an extravagantly printed dress in an autumnal wash.
A gold handbag kept her look cohesive and well put together. His lapels are notched and on the slimmer side, a very characteristic look for Madison Avenue of the early s. Outside of a few formal-wear outfits, Draper almost never wears a solid-colored jacket or trousers. The colors of his suits are usually made from threads of multiple colors that blend to give the impression of a single dominant color.
Many are explicitly patterned, though the patterns are always small and understated — in the business world of the s, any overt pattern outside of the classic pinstripe would usually be considered too casual for work. Like any well-dressed man, Don Draper is almost never seen in a suit coat without a pocket square to decorate it. He keeps it simple: The uniform approach helps the audience understand that the pocket square is almost an unconscious touch for the character — something he knows is a fundamental of a good-looking man, rather than an ostentatious flourish.
A single color dominates: At his most sharply-dressed, he wears very bleached white shirts with stiffly starched collars. In both cases, however, Draper is observing the most symmetrical of collar styles for a dress shirt: The most striking thing about a good outfit: Because the rest of the Sterling Cooper staff favors more boldly-patterned ties, this helps Draper come across as the least image-conscious and most naturally-dressed man in group shots.
As the series progresses, he also begins to add tie pins, using a dash of metal to draw the eye the same way that a brightly-colored fabric would — but much more fashionably.
He wears several different fedoras, all of them made from good felt and shaped to a similar peak. The shape of the hat mirrors the shape of his chin, giving him a very completed effect. We also see a few different coats on Draper throughout the show, including a notched-lapel camelhair and a high-collared tan trench coat.
Our Banana Republic Mad Men collection also features dynamic women's dresses, tops, blazers and footwear ideal for a glamorous vintage makeover. Dress in the classic retro designs of men's and women's Mad Men clothing from Banana Republic. s Mad Men Dresses and Clothing Styles Mad Men Dress Ever since AMC’s TV series Mad Men went on the air there has been a lot of demand for vintage and vintage inspired early to mid ’s Mad Men . The Style Evolution of the Women of Mad Men. To say we're looking forward to new episodes of Mad Men would be a bit of an understatement. We're obsessed with the genius character and plot.